Child of God

When Alex first approached me about playing “Cindy,” the devoted “church lady” whose sheltered life lies at the heart of Child of God, I was intrigued for several reasons. I was excited about the prospect of playing my first lead in a feature film after nearly eight years of acting, although the idea of improvising the whole movie and working without a script was daunting to me. The only improv work I had done up to this point was extensive work in the re-enactment shows like True TV’s “I, Detective” and “Murder by the Books,” where I usually played victims or killers. We improvised dialogue a lot, but it usually was not used in the final scenes. I was excited to work with Alex, whose reputation as as a talented filmmaker preceded him, although I didn’t know him personally. But mostly I was interested in the subject matter. Few films deal with the issue of spirituality these days, and as we talked about Cindy, I realized that I shared a great deal with the back story Alex was developing for her.

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Cynthia Corral participated in Child of God as an extra on our last day of shooting and survived the record-breaking heatwave to tell the story:

This is absolutely accurate reporting–the acting is that good. Read Cynthia’s entire post here.

We want to thank Cynthia and the San Jose MetBlogs gang for being so incredibly supportive of our two June film projects. (Read Cynthia’s post about the Amity production.)

Child of God isn’t my first improv project. It’s not even my first improv film (Antero Alli’s The Invisible Forest occupies that place on my resume). What’s new for me with Child of God is that I’m developing a character with a full story arc. I’m not an abstract representation of the protagonist’s psyche, I’m not a 10 second expression of a dystopian concept (Canary), but a fully fleshed out person in this film. 

Most of us are using our own names for our characters, and we had very little information about our characters to start with. The lines between the actors and the people we portray were very, very thin. We knew a basic starting scenario, a few pertinent facts about what had happened before the film begins, and that the first shot was going to be the troupe discussing our options.

The cameras were upon us without so much as an “action.” The game was afoot. We shifted immediately from talking about what we might do in the scene to doing the scene itself.

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Two of likely four shooting days have been completed on Child of God. We’re shooting this feature simultaneously with Amity (Child on Saturdays; Amity on Sundays), and within Child of God we are often shooting disparate scenes simultaneously. It’s enough to make this author a little schizo. I am acting, producing, shooting, kid-wrangling, singing, casting, catering, brainstorming, driving, negotiating, deliberating, pontificating, fuming, aching, capturing, sunburning, procrastinating. It’s an intense and exciting time.

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